Control Room
A well equipped, sonically neutral control room is essential for any recording project and our room has been designed and outfitted to meet those requirements. The room is pie wedge shaped with a 10 foot front wall and a 16 foot back wall. To avoid acoustic reflections, the control room window is placed on the right and the front half of the room is covered with sound absorbant foam by Aurlex. The back wall is acoustically reflective with diffusion and bass traps providing an optimal listening environment.
We provide a choice of digital and analog recording platforms. A 32 channel Avid HDX ProTools system provides a solid foundation for digital recording. If you prefer the sound of analog, you can choose from 24 and 16 track multi-tracks all the way down to 2 track half-inch tape decks.
The console is the heart of the control room which is why we chose to custom design and construct our own using the highest quality op-amps and VCA's in the industry. This results in a low noise, high head room board suitable for the most demanding of recording jobs. Each channel has a four band parametric equalizer, compressor and gate for maximum flexibilty. A full compliment of outboard signal processing gear places any sound you can conceive of at your finger tips.
EXISTING AUDIO TRACKS OR SESSIONS FROM OTHER RECORDING STUDIOS: No matter where or when or how your existing digital tracks have been recorded, we can probably import them into a new ProTools session, or use your existing ProTools session(s) -- see our complete list of software, plugins and gear below. Digital audio from other software programs should be organized by song and consolidated into separate continuous audio files. We'll talk you through everything when you book your session.
Call or Text us now at 602-292-8380 to request a quote, studio tour, or schedule a session.
We provide a choice of digital and analog recording platforms. A 32 channel Avid HDX ProTools system provides a solid foundation for digital recording. If you prefer the sound of analog, you can choose from 24 and 16 track multi-tracks all the way down to 2 track half-inch tape decks.
The console is the heart of the control room which is why we chose to custom design and construct our own using the highest quality op-amps and VCA's in the industry. This results in a low noise, high head room board suitable for the most demanding of recording jobs. Each channel has a four band parametric equalizer, compressor and gate for maximum flexibilty. A full compliment of outboard signal processing gear places any sound you can conceive of at your finger tips.
EXISTING AUDIO TRACKS OR SESSIONS FROM OTHER RECORDING STUDIOS: No matter where or when or how your existing digital tracks have been recorded, we can probably import them into a new ProTools session, or use your existing ProTools session(s) -- see our complete list of software, plugins and gear below. Digital audio from other software programs should be organized by song and consolidated into separate continuous audio files. We'll talk you through everything when you book your session.
Call or Text us now at 602-292-8380 to request a quote, studio tour, or schedule a session.
Control Room
- Mac Pro Tower M2 Ultra 76-core with SSD
- 32 I/O Avid HDX ProTools System
- Apogee Big Ben master clock
- MCI JH24 24 track 2" analog tape machine
- Scully 288B 16/8 track 2/1" analog tape machine
- Otari 2 track MTR-10 1/2" analog tape machines
- Otari 2 track MTR-10 1/4" analog tape machines
- 24 track 20 bit ADAT
- 14' x 19' x 11 Symetrical Wedge Segment
- Aurlex absorbent foam in the listening area
- Live back wall with diffusion and bass traps
- Extremely accurate mixing environment
- Balanced 100 amp electrical service by Equi-Tech
Console
- 24 channel input /output
- 12 summing busses
- 32 in monitor
- 4 band parametric equalizers
- Compressor/Gates built with Aphex 1001 VCA's
- John Hardy 990c summing amps
- OPA2604 & LME49860 op amps
- Custom designed and crafted by Sandy Lamont
Monitors
- 5 pairs of custom speakers
- 2 custom subwoofers
- Mono, stereo, and 5.1 surrond monitoring
- Rane Crossovers (3)
- Haffler amplifiers (6)
Software
- MAC OS Ventura 13.6.3
- Pro Tools Ultimate 2023.9
AAX DSP PLUGINS
AVID -- - Channel Strip
- EQ 3
- Focusrite
- BF 76
- Dyna 3
- Impact
- Maxim
- Smack
- Pitch II
- D-Verb
- Revibe
- Space
- Mod Delay II
- SciFi
- SansAmp
MC DSP — - AE 600 Acitve EQ
- AC 101 & 102 Saturator
- 6030 Ultimate Comp
- G Channel Console
- MC 202, 203, 404 Multi-Band Comp
- ML 4000 Mastering
- EC 300 Echo Collection
- ML 8000 Advanced Limiter
AAX NATIVE PLUGINS
WAVES -- - API 550
- Audio Track
- EMO F2
- EMO Q4
- F6
- Linear EQ Broad Band
- Linear EQ Low Band
- Manny M EQ
- Pultec EQ
- R Channel
- Q 1-10 EQ
- R EQ 2,4 & 6
- V EQ 3 & 4
- Vitamin
- API 2500
- De-Esser
- GW Vocalcentric
- H Comp
- L1, L2 & L3
- L 316
- Linear Phase Multi-Band
- Max Volume
- MV 2
- Puigchild
- R Comp
- Renaissance Axe
- R Vox
- SSL Comp
- V Comp
- Ultra Pitch
- Waves Tune
- Abby Road Chambers
- True Verb
- H Delay
- J 37
- Kramer Tape
- Mod Dealy
- Super Tap
- Enigma
- Meta Flanger
- Mondo Mod
- Reel ADT
- Saphira
- C 4
- C 6
- Dorrough Meter
- PAZ Meters
- WLM Meter
- Eddie Kramer Drums
- Bass Rider
- IRL Reverb
SOUND TOYS - - Filter Freak
- Devil LOC
- Micro Shift
- Crystalizer
- Echo Boy
- Phase Misterss
- Tremolator
- Pan Man
IZOTOPE- - De Click
- De Clip
- De Crackel
- De Noise
- De Hum
- Exponental Audio Phoenix Verb
- Exponental Audio R2 Verb
ANTARES - - AutoTune Pro
EVENTIDE - - 2016 Reverb
- Omnipressor
RELAB - - 480 L
- Gold Plate
- Sonig Rev A
- VSR 24
AIR - - Strike
- Structure
- Kill EQ
- Freq Shift
- Reverb
- Multi Delay
- Chorus
- Filter/Gate
- Flanger
- Fuzz/Wah
- Talk Box
- Distortion
LIQUID SONCIS - - 7th Heaven
Gear
- Limiters/Compressors
- Urie 1176 (2)
- LA 2 compressor (2) (Custom Built In-House)
- LA 3 compressor (Stereo) (Custom Built In-House)
- Fairchild compressor (5) (Custom Built In-House)
- Reverb/Effects
- Two stereo plate reverbs (Custom Built In-House)
- Spring reverb (Custom Built In-House)
- Lexicon PCM80 effects processor
- TC 4000 reverb